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A generation gap

Well, I’ll admit it. I’m mostly a square, a straight-laced student who doesn’t spend a lot of his time breaking the rules. I also tend to spend my weekends watching movies and playing Cranium, generally avoiding the whole partying scene. Having lived in Potter Hall and currently enjoying an apartment in the Whites, I’ve been privileged to watch stampedes of party-goers for the last year. They confidently stroll down the street a little after dark, the guys in trendy suits and the girls click-clacking on the pavement with their 6-inch heels and not much else. I’m starting to get used to the flashing lights outside my window, too. I’ve begun to grow accustomed to opening blinds and watching Mac PD read people their rights or question a group of red-eyed students. My nights tends to get a lot less boring, especially if I can’t hear them and I do the whole “make up the conversation they might be having” routine with my girlfriend.

I witnessed one such event last night involving a plethora of officers, minors and assorted drunk/high/angry students. There was a lot of yelling and unhappiness, and many of the students felt they were being treated unfairly. I’ll admit I have no great love for authority, and so I naturally took the students side. It wasn’t hard to justify either, since most students behave like normal, intelligent adults at parties. A huge amount of social/responsible drinkers are out there, confused why alcohol is even an issue. For them it’s never been about that. When I occasionally choose to drink (I’m 21), I always question why the drink I’m holding is such a big deal. Aren’t we as students intelligent enough to make our own decisions? Clearly the problem is at hand is not about alcohol, but whether or not teenagers are responsible enough to make their own decisions.

I’m guessing most of my generation would say that they are and most of the generations in authority would say they are not. So what happens? A disjuncture between the generations and rebelliousness against authority. Students no longer care about the law and they no longer care about the consequences. Likewise authorities consider it their solemn duty to stop the lawlessness that’s occurring in houses across America. This is a problem. I can only stand on my side of the tape, but I’m starting to see why the authorities respond so forcefully at times. This is about authority and this is about letting a younger generation understand that they must obey the rules others built before them. Except by doing this they are ensuring this disjuncture continues and are enabling thousands of students to reject their authority. It’s a fine line to walk, but authorities need to connect with those below them respectfully while reminding them they are doing for the community. Too forceful and people get alienated by those trying to protect them.

What I’m implying here is that authorities need to be smarter about how they interact with our students and our generation. Yes, students are going to party and are going to break the law. Instead of charging in every time, perhaps checking in and monitoring a party might be a better idea. Maybe allow a few events to go on and politely ask a few of the crazier get-togethers to disperse. The students are not trying to break the law; they’re trying to have a good time. I’d like for my generation to come into the real world as leaders and as members of society, not as deviants preaching against our system in place. Deal with students as if they were citizens, not as criminals. They’ve been educated for years and years about decision making. Give them a chance to prove it.

Matt Olson
Columnist Matt Olson can be reached at linfieldreviewopinion@gmail.com

Olson: Applauding the unseen

It is difficult to remember when I meet people for the first time. Maybe it’s because I tend not to value first impressions, which basically tell me nothing about a person. Every once in awhile someone sticks out in my mind anyway. Aaron Cody is one of those people. From the very beginning I recognized that Aaron was a guy that had more to him than meets the eye. All I remember about our meeting was thinking that Aaron could do with a dose of confidence. I learned later that he doesn’t lack confidence, he simply exudes patience.

This is a tribute to the man who exemplified success without being on center stage. Now a senior and graduating, I can’t help but feel like Linfield will be losing one of its more valuable pieces. Though he would prefer to disappear in two weeks with no attention paid towards him, I can’t justify letting him walk out without a pat on the back. He’ll be leaving his fingerprints all across campus.

One of the most impactful students of the last four years, Aaron has been an electronic arts major who has forged his own path to success at Linfield. He spent three of his years as an AV Tech, running the sound for numerous comedians, presentations, and movies. Plenty of musicians have gone home happy on Thursday nights because Aaron was there to provide his musical expertise. Events like the recent Battle of the Bands would not have been possible without Aaron. He’s also been the only on-campus DJ for the last few years. All those school dances in FML can be attributed to Aaron’s mixing skills. He worked as a DJ for our own radio and even as their technical director, along with designing tutorials to help the station run effectively.

He’s found time to build the Linfield Review website, which recently came in first for Best Website by the ONPA, and is the online editor. He works on the Linfield College website, helped rebuild the Athletics section and has worked on much of the content we see everyday. Many of the logo’s we see, including the ResLife logo, the Linfield Sustainability logo, and the Computer Science department logo were designed by him. ASLC just hired him to create their logo. He does videos too: The “It’s your Linfield” video contest last year was handily won by Aaron and he helped Wildcat productions produce some of its popular content.

Aaron is an electronic master, spending a year working in the faculty development lab teaching professors how to work all the technology around Linfield. And he works everywhere while working as an RA for two years and building numerous websites privately for his friends and colleagues. “It’s what I do” is all he’ll say about his lifetime love of his projects. It started with his freshman orientation, where he attended Will Keim’s speech. The sound system wasn’t working that day and new freshman Aaron Cody just walked onto the stage and fixed it, then turned to Dan Preston and asked for a job.

Aaron is that guy that gets every call when there’s a problem and he’s the guy who has created many of the iconic images that make Linfield feel like home. And through it all he’s maintained a humility that is unparalled, preferring to be invisible to the public eye. Aaron deserves recognition because he’s the only guy I know that will dislike this article; for Aaron, praise has never been what’s important. He’s just doing what he loves. No student has been more involved in the technical on goings of our campus than Aaron and he’s been irreplaceable at Linfield during his time here.

Aaron will be doing his last cat cab when Jack Ruby Presents performs on May 20th and then he’ll be finishing a four year trek at Linfield. So thank you Aaron Cody. You’ve helped make this campus a better place and you’ve helped numerous students and faculty succeed in building this community. And yet you keep ending up in the back, with almost no recognition. This time I’m making sure you’re standing on center stage.

Matt Olson
Columnist Matt Olson can be reached at linfieldreviewopinion@gmail.com

Olson: E-mail has a purpose (besides chain letters)

It’s pretty typical of me to check my e-mail at least five times a day. It takes me about two seconds, and with the amount of e-mails I get per day, it needs to be done. Perhaps I have a project, and the group is bouncing around ideas, or I get a dozen e-mails from ITS explaining the latest mishap, what with the volatile networks on campus. It’s become important for me as a Linfield student to check my e-mail repeatedly to absorb the wealth of information being thrown at me. So why are people not checking their e-mails regularly?

I used to be an RA (don’t judge me), and it was always fun advertising for hall events and hall meetings every month. I usually sent out several sarcastic e-mails, all of which would clearly state their purpose in the subject line to get the attention of those skimming (because who reads stuff from their RA?). I’d still get residents who would miss an event because they “didn’t know about it.” Seriously? This campus runs on e-mail. All the recent campus current events, such as the new school logo and the interviewing process for the new dean of students. Students would have known about them if they had checked their e-mail. If only the student government sent out a big list of all the current events on campus every week, maybe like after Senate … Oh … this is awkward.

Nobody should making excuses anymore. If students want to be informed, they can be informed. Those e-mails, Facebook events, and fliers around campus have been there since all of us arrived as freshman. I’m assuming people don’t see them because they’re too busy playing Farmville and awkwardly starring at the ground as they walk everywhere. Wake up people.

I recently attended, along with 10 other people, one of Robert Cepeda’s discussions on residence hall access and parking issues. He mentioned that the other two discussions had one person attend for both days combined. And how much advertising did he do? He sent out an e-mail to the campus, created a Facebook discussion group and made separate events for each day he was giving a presentation. And he had less than 20 people show up. We have a computer lab open 24/7 for students and wireless access in every residence hall and suburb on campus. People either knew about Cepeda’s discussions or purposely chose not to know about it. A third option could be that students are completely unaware of the Internet’s existence, which is depressing and slightly amusing. Disregarding that group, I refuse to admit that 1,700 people knew about Cepeda’s presentation and less than 15 cared enough to show up.

I’m starting to think that most Linfield students are ignoring their inbox every day. Some are truly apathetic, but the remainder of students can’t keep pretending they are uninformed when they are choosing to be ignorant. You hate the new Linfield logo? Perhaps you should ask yourself where you were when they asked for student input. Stop blocking your most direct line to Linfield, people. Check your e-mail and read those Senate reports. Let yourself be a member of the Linfield community. Try to comprehend why ITS would e-mail you to tell you the Internet is down. Be aware of your surroundings. I’m tired of feeling more informed than everyone else because I took two minutes to check my e-mail.

Matt Olson
Columnist Matt Olson can be reached at linfieldreviewopinion@gmail.com

ASLC Senate meeting – May 17, 2010

Jacobo: Jack Ruby Presents arrive in high fidelity, as they were meant to be heard

The release of Jack Ruby Presents’ debut LP, “Over Wires and White Plains,” could not have come at a better time. During my time at Linfield, they have consistently been at the top of the campus music scene. It’s been fun to watch their music evolve, take on a grander scope, accept the influences of more and more genres; in short, the music has become more complicated, ambitious, and as a result, it has continued to improve on itself. And now, as the band’s four members (seniors Chris Hernandez, Melissa Davaz, Aaron Owens and Jesse Hughey) prepare for graduation, the release of their debut comes as a bittersweet goodbye to the place that brought them together.

Jack Ruby Presents challenges listeners with a sound that doesn’t mimic something on the radio. It’s not simply a variation on what’s popular in indie or pop music circles. They don’t sing the usual set of John Mayer, Jack Johnson and Jason Mraz covers. They don’t steal their sound from MGMT or Vampire Weekend or Fleet Foxes, some of the most widely enjoyed and popular bands in indie right now.

They take risks, drawing inspiration from folk Americana, in the tradition of Guthrie and Dylan, yet neither of the two seem apt descriptions; the music is infused it with the sounds of the roots of rock and roll, a twist of modernity. They sing songs of whiskey, of death, of grimey cities full of lights on beautiful summer nights. They pay tribute to the Western sense of adventure in pine-filled woods and a greater consciousness, of Southern lynchings, of travels in London and Antwerp.

Five of the songs on the twelve-track album are tracks you’ve heard before on earlier releases; much of the material has been played at CatCabs, house parties, and bars in Portland.

But the secret to this album lies in the fidelity. Listen to the “Fingers” track from the “Strange Fruit single that was released last year: The song has a tinny, cold sound; the vocals are too soft, they don’t do justice to Hughey’s voice, hoarse and strained, worn down and raw like it’s the last song after a long night of yelling at the top of his lungs. The volume is too low: you can’t turn it up loud enough to get into the song. It doesn’t quite affect you in the way it should.

Now listen to the version of “Fingers” on “Over Wires and White Plains.” It sounds totally different: The guitar is dense, warm, full; Hughey’s vocals come alive, thicker and richer; you feel like he’s playing live in the corner of the room where the sound booms out of the speakers, loud like it was meant to be.

For the concentrated listener, it makes a world of difference. The range and emotion found in Davaz’s striking, soulful singing isn’t masked behind the lo-fidelity of a cheap recording. This is the song the way it was meant to be heard, almost as good as the band’s live shows, where the feelings are worn on their faces and the blasting speakers reverberating the music around the room, filling it something magical because it’s honest, not convoluted or relentlessly sophisticated or dumbed down; something true of human emotion, of sadness, of longing, of headaches and heartbreaks.

When you listen to this album, pay attention to the mixing and sound quality; the songs come alive here in the way that they couldn’t quite make it on “The Cardboard EP” and “Strange Fruit” single. The instrumentation fades and returns in layers of sound that add complexity to the band’s sound. The songs are as loud as you want them to be, with no degradation of quality. It’s like they are playing inside your head, taking the form of something larger than their combined personas, like this band is one that’s here to stay, if there’s anything right with the world.

In short, the album is stunning, allowing the listener to fall into the essence of the songs, to fall into the emotions related. And when the last vocals of the album’s final track fade and you can hear the squeaking hinge of a door opening and closing, you know they are leaving, but you want them to stay. You want them to play you a few more songs. You want an encore.

It seems fitting considering the band’s three members are all graduating in a few weeks; you certainly wonder where they’ll go and what they’ll do with all that musical talent.

Over Wires and White Plains is available for $10 via Jack Ruby Presents’ website, jackrubypresents.com

You can see them play their final Cat Cab show in Fred Meyer Lounge at 9 p.m. May 20.

Jordan Jacobo
Columnist Jordan Jacobo can be reached at linfieldreviewopinion@gmail.com

McCluskey: Side-line parents

Sitting here watching a little league baseball game, I can’t help but wonder what is circulating through the heads of the loud, rude and, in my opinion, confused parents who feel their kids will achieve ultimate sports success if only they can ridicule the officials and shout instructions to their children from 100 feet away. It seems most parents these days have taken way too much of an interest in the Western culture’s belief that individualistic success is of above all importance. Why these sorts of parents do not understand the uselessness and possibly traumatic effects of their actions, I will never know.

Some of the rudest comments I have ever heard from one human being to another have come from a parent of a young child and was directed to a sports official of one kind or another. Officials, whether it is a referee of basketball or an umpire of baseball, do not become inhuman when they put on the black-and-white striped shirt that unfortunately, is more of a bull’s eye than a piece of clothing. These parents bank on the idea that it is OK to ridicule the men and women that make every sport possible. Without them, their child’s beloved sport would be no more; without officials, who would call the games? The parents? I think not; they would never last. Instead of being forever grateful of these people, they mock every call and every decision that is not in their favor. The point and the goal to a competitive game is to have two teams fighting to be the best, making the game close and exciting and triggering passion within the players. But it seems these parents dream at night for all of their children’s games to be a one-sided stomping event and, of course, only their team ever getting the “W.” Why can’t a game just be a game? After all, it is only a game.

The most hilarious piece of this sad, but true, story are the many examples of “coaching” provided daily by these kinds of parents. They all believe they could coach the New York Yankees, or God forbid, my struggling Seattle Mariners. First off, these parents, I can only guess, are seemingly too old to remember that children do not listen to chatter from the sidelines. Maybe the younger bunch of kids will stare longingly at their parents behind the fence simply for their begging to go home, but not for coaching advice! The majority of kids will only ignore random calls from the stands. And second, if they do listen, does it help? Does the continuous criticism and demands of these parents help their children who are only trying to concentrate and have fun during a sporting event? What wisdom is so important that it cannot wait till after the game? This conversation has come up many times in my past playing sports, talking with my friends and teammates about this very subject, and I have heard too many times how traumatic these experiences had been on my then-young teammates. I myself was insanely lucky to have two quiet and supportive parents.

Support and understanding are the two most important qualities of a good parent in sports, or just life in general. Children do not need coaches at home; they do not need best friends at home; children need parents who will teach them about life and guide them through anything they need help with. I am afraid that the actions of these kinds of parents will develop certain complexes in the next generation of children as they become adults, as well as teach them inappropriate sporting activity behavior which, for all intents and purposes, transposes into the real world almost indefinitely. For arguments sake, the most friendly, respectful, and responsible people are most likely going to be those people who have a great sense of sportsmanship. Sports shape children like nothing else; this shaping can be excellent for a childhood because a child can use what he or she learned from their sporting activities, like respect, hard work, and passion to do good in the world as they mature into adulthood. But it can also be deleterious to a childhood, and to the subsequent adulthood. For example, the children who unfortunately learn, by accident, the wrong things from sports like the disrespect of others, cheating, and selfishness.

Only a very small percentage of children will ever grow up to play any sport professionally; with that said, shouldn’t academics be praised by parents a bit more than sports? Sports are great for children, my childhood and young adulthood would be nothing without them, but I still knew that I could make a bigger difference in the world, not squatting behind home plate.

Above all, humans are humans, and they should be treated as such despite opinion, profession, or other various differences.

Hannah McCluskey
Columnist Hannah McCluskey can be reached at linfieldreviewopinion@gmail.com

ASLC Senate meeting – May 10, 2010

Ter Horst: This is for my mama

It was almost empty in the “dining hell” this morning. Those of us who had dared to enter made a close circle and sat together on this quiet day. I ate my food in silence. We foreign exchange students gloomily smiled at each other, sighed. My attempt to enlighten things by conversation did not go the way I hoped. “Hi, where are you from?” I asked with my most spontaneous voice, even a large fake smile on my face. For a moment the girl looked me into the eyes. “From my mother’s belly!” she cried out.

Even though the ancient Greeks already had an annual festival in March to honor Cybele, a great mother of the gods, and every ancient Roman mother received a gift on her annual Juno-dedication day, I am proud that the modern Mother’s Day celebrated in many different countries has derived from the U.S. I was impressed as well as I walked over an empty campus today. I assumed that everyone absent was spending quality time with mama, and of that I very approve.

When Germany had the lowest rate of birth in Europe in the 1920s, it introduced Mother’s Day as a means to get the women to bear more children. In Indonesia, entire surprise parties are thrown, or cooking contests between daughters are being held. In Sri Lanka, every day is Mothers day. And in the U.S., Mother’s Day generates almost 8 percent of the jewelry industry’s annual revenue.

I couldn’t surprise my mommy this morning with breakfast in bed (“What a surprise, you do this every year”). As a result of this sad fact, I probably spend more time appreciating her love than I have ever done on Mother’s Day. I even dedicated this blog to my sweet mama – but that’s also to make up for the lack of a real gift this year.

Doris ter Horst
Columnist Doris ter Horst can be reached at linfieldreviewopinion@gmail.com

Jacobo: ‘The Big Chill’: A film for the soon-to-be graduate


A couple of year ago, I picked up a cheap used record for a dollar. It was The Big Chill Soundtrack, and though I had never seen the movie, I bought the album simply because it featured excellent songs.

Most of songs featured on the soundtrack are Motown hits. Songs include Marvin Gaye’s “I Heard it Through the Grapevine,” The Temptations’ “My Girl” and Aretha Franklin’s “(You Make Me Feel Like) A Natural Woman.” Many songs appear on the film that are not included, such as “You Can’t Always Get What You Want” by the Rolling Stones

Since purchasing the album, I’d often been curious about the film. It seemed strange to listen to a soundtrack so many times despite never seeing the context in which the songs were placed.

Last night I happened to be perusing Comcast’s free On Demand movies and I stumbled across The Big Chill. I couldn’t have been more surprised, and, after watching it, I couldn’t have been more pleased.

The Big Chill (1983) revolves around a group of college friends (including Tom Berenger, Glenn Close and Jeff Goldblum) who reunite after one of their friends commits suicide. They fly in from around the country and greet each other at the funeral, where they are forced to try to reconcile their friend’s unexplained death.

They spend a weekend in the same house, and realize in many ways they’ve changed a lot from their college days. Their lofty aspirations and dreams of bettering the world have turned into normal, everyday jobs. But they aren’t really sad. They just say they’ve become realists. These Baby Boomers must confront their lost youth, forgotten goals and mediocre marriages and lives. Old emotions flare up, and it’s not always pretty.

Something about this film really struck a chord with me. Perhaps it’s because I’m in college now and it’s easy for me to imagine going away after graduation and leaving this life behind, friends drifting apart, and how odd it must be to be reunited with old friends once we’ve become adults and taken our place in the real world.

During the group’s conversations over wine in the living room, record are always spinning. They come in at a low volume, but if you listen closely you can hear them. The film features a little jam session where everyone dances in the kitchen to “Ain’t Too Proud to Beg.” This is the music of their generation, of their youth; music that brings up old memories, the messy histories of our college years after they’ve been forgotten and left behind.

This is a great movie to watch with your college friends, especially if you’re a senior and graduation and is inching its way toward you. Before you say goodbye, watch this film and enjoy your time together.

I would recommend this movie for the music alone, but the film itself is quite a powerful statement of growing up, of what we leave behind in youth, about trying to reconcile our realities and our dreams to find happiness in the modern world.

Jordan Jacobo
Columnist Jordan Jacobo can be reached at linfieldreviewopinion@gmail.com

Video courtesy of Columbia Pictures

Jacobo: The Dum Dums Girls make re-imagined, reverb-bathed 60s pop and 70s punk

On the Dum Dum Girls’ MySpace page, the Los Angeles-based indie outfit categorize themselves in deadpan fashion as Melodramatic Popular Song. Certainly, it’s a bit more complex than that. Take in a wide range of influences: Iggy Pop (who notably wrote a song titled “Dum Dum Boys”), Patti Smith, Billy Holiday, The Ronettes, early-1960s pop. Give it a modern aloofness, a concern for self. Mix in a fascination with lo-fi music. That’s their sound. You can hear that wall of fuzzy warmth scratching throughout their songs, blending in with the vocals and making the steady kick of the drumming really stand out. It’s a unique set of influences for a modern band with such retro aspirations.

Dum Dum Girls is the brainchild of Dee Dee Penny, who originally started the group out as her solo project. She expanded the group to add Jules (on guitar), Bambi (bass) and Sandy Vu (drums) before signing with Sub Pop in 2009. The group’s first full-length LP, “I Will Be,” was released on March 30, 2010. They manage to stuff 11 songs into 28 minutes of music.

“I Will Be” starts off with a bang, and the Dum Dum Girls relentlessly stripped down sound doesn’t let off—sometimes they slow it down, but usually the songs are loud, fast and in your face, the vocals reverberating and full of static so sometimes you can’t hear what Dee Dee is singing, the guitar and bass blending into the wall of noise, the drumming lively, sure and steady, a heartbeat to give life to this sometimes schizophrenic sound.

They are four women dressed in black sucking on colorful Dum Dum suckers, playing an infusion of punk and pop, a mix of old and new, of archaic, simplistic pop given an edginess by its lack of fidelity and the resulting dissonance.

And then there’s that haunting album cover, like something dug out of a box of forgotten trinkets in hot attic or a dusty, forgotten closet. A woman dressed in red, hair down, freckles dotting her cheeks. Endlessly intriguing for what it doesn’t say, what’s left to be imagined. It’s a picture of Dee Dee’s mother, young and free, with that untelling look on her face, a lot like the girl from Vampire Weekend’s “Contra” album—though the two look strangely similar, the LPs they adorn couldn’t be more different.

Official website: http://wearedumdumgirls.com/
Check out: “Oh Mein Me,” track 3; “Blank Girl,” track 7; “I Will Be,” track 8

Dum Dum Girls are touring the West Coast this summer, playing at the Hawthorne Theatre in Portland on June 25. The all-ages show starts at 8 p.m. Tickets are $10.

Jordan Jacobo
Columnist Jordan Jacobo can be reached at linfieldreviewopinion@gmail.com

Photo courtesy of Sub Pop