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Music professor lights path to artist success

Experience and contagious positivity shone through during a discussion of Jill Timmons’ new book April 2 in the Nicholson Library.

Timmons’ book, “The Musician’s Journey: Crafting Your Career Vision and Plan,” was released March 19 through Oxford University Press.

It is a product of Timmons’ life-long career performing and mentoring in the field of the fine arts. She hopes its contents will supply musicians with resources necessary to achieve the career of their dreams.

Timmons began crafting the book’s idea nearly 15 years ago, while teaching at Linfield. Timmons was a professor for more than 30 years, starting in 1981 and retiring in 2012. She is an emerita music professor, meaning that she retired from an active position but still holds the official title. She also remains in the Linfield community as a mentor for music students.

“I think she is one of the most inspirational teachers I have had,” said sophomore Ian Cox, who is majoring in music. “You can tell she has so much knowledge and passion in several areas.”

Timmons upholds an accomplished pianist career. Her talents guided her to performing throughout the world in Chile, Spain, France, Australia, Germany and Switzerland. She is frequently heard on NPR and records her own music.

Timmons has worked with numerous artists and music organizations, including non-profits, entrepreneurs and students.  Timmons said that those connections have shown her how to have a successful career.

“Some of this I bring from my own experience, but part of this is also an observation of other people and how creative and innovative they can be in pursing their dreams,” Timmons said.

During years of working with diverse individuals, she detected a theme present throughout such interactions. She said that all of the artists struggled with one of two things. Some had trouble defining who they were as artists in terms of passions, missions or reasoning for being artists. Or, others struggled to craft a plan to transform their artistic passions into careers.

Timmons said that each person is better at one of those areas than the other. Some people enjoy a nonlinear lifestyle full of contemplating creative and new opportunities. Others are skilled in managing time and being organized.

“You have to have these two things together,” Timmons said. “And they actually form a continuum. And that’s the foundation of my book.” Timmons calls it the vision plan continuum.

“This is, essentially, a new road map for musicians. If you can authentically describe and be in touch with what it is you want to do with great passion, what your calling is if you will, and you make a plan, you’re living as an entrepreneur. And if you’re like most musicians in this process, you will have a thriving career.”

Timmons’ book offers advice on crafting a vision. She directs readers to online worksheets to help grind out the complex process of doing so. She also advises artists on how to construct a plan that uses that vision to have success. She provides information on running a successful business, such as how to write a mission statement and what kind of staff to hire.

A portion of her book is dedicated to marketing. Timmons’ marketing starter kit can be found on her website. Timmons also wrote a section about grant writing.

“You can’t function unless you’re going out and finding money for your projects,” Timmons said.

Another section of the book is slightly unrelated to the other topics.

Timmons said that part of being a successful artist is being capable of shifting how the brain works.  Sometimes that means having to change an entire belief system.

Timmons said it is common for artists to feed themselves false information that is often negative or discouraging. She also said that performing in a temporal world induces anxiety because it is impossible for artists to foresee the quality of their future performances.

“All of this goes back to the brain and how it works. You have to create new neuropathways and create new habits,” she said.

Timmons provides extensive scientific research concerning such subjects within her book.

“I think it is central to being an artist,” she said. “If something is not working in life, you have to make changes.”

Timmons’ book discusses research developed in 2011. The National Endowment for the Arts and the Strategic National Arts Alliance Project (SNAP) from Indiana University conducted studies that excited Timmons. The studies gathered data about the lives and careers of arts graduates in the United States. It examined nearly 13,000 artists from more than 150 arts programs.

SNAP demonstrated that arts alumni generally have the same levels of enjoyment and satisfaction of their schooling and professions as undergraduates from other fields of study.

Data also illustrated artists’ employment projections for 2008 to 2018. The United States labor force is expected to increase by 10 percent. The profession’s category that includes artists is expected to increase by nearly 17 percent.

Timmons is confident that her plan works because she has lived it herself, and she has seen many other people carry it out.

“My opinion is, if I can do it, anyone can,” she said.

Carrie Skuzeski/Culture editor

Carrie Skuzeski can be reached at linfieldreviewculture@gmail.com.

 

The Vortex Rock’ N’ Rolls to Third

From left: Aaron Schroeder and owner Bruce LaVerne sort CDs in their specialty music store, The Vortex, at its new location on Third Street. Photo by Chrissy Shane

From left: Aaron Schroeder and owner Bruce LaVerne sort CDs in their specialty music store, The Vortex, at its new location on Third Street.
Photo by Chrissy Shane

A snug space, tightly packed between the Dollar Tree and Mac Nails is now vacant. The windows are empty, the lights are off, and the once luminescent black and yellow sign no longer lights up the modest strip mall.

But just a few minutes away, the same yellow glow illuminates Third Street.

The lights read “The Vortex,” the name of the record store that was once tucked in that compact space.

Now, the specialty music shop unfolds comfortably into its new home on Third Street between Danger Valley and The Moonlight Theatre, as if it had been there all along.

“Customers have told us, ‘this is where you look like you belong,’” said Bruce LaVerne, owner of The Vortex.

The move, which took place a mere six weeks ago, marks the third relocation of The Vortex—so why the change?

“Let’s go to day one,” LaVerne said.

Day one takes you to the beginning of 1991. LaVerne is living in Longview, Wash., and working a 9-5 office job.

“I didn’t know what to do so I ended up buying and selling,” LaVerne said.

Come February of the same year, LaVerne left his office job and became a first-time owner of his own music shop, one that was different from the store he owns now.

“We were primarily focused on alternative, Indian funk,” LaVerne said. “The niche is what we were trying to fill. We didn’t carry country, pop or rap.”

But after 11 years, it became clear to LaVerne that filling that niche was a dead end.

“So, I did my research, and in February of 2003, we moved to Mac and became The Vortex,” LaVerne said.

Interestingly, Third Street management was the first to approach LaVerne about a space, but he decided to move to Baker Street Square Shopping Center where The Vortex lived in the cozy space for 10 years.

“That’s a nice word for it,” LaVerne laughed.

“At first, the location was an advantage, and it worked great for a little while,” LaVerne said.

Initially, the location was attractive: close proximity to the high school, good parking and a good landlord made the decision easy.

The Vortex keeps its collection up-to-date, with its “Just In” section. Photo by Chrissy Shane

The Vortex keeps its collection up-to-date, with its “Just In” section.
Photo by Chrissy Shane

But the music industry is about as easy to predict as a wild animal, and after a while, it began to rear its riotous head.

“As the [music] industry kind of collapsed, the business changed,” LaVerne said. “It wasn’t so dependent on the people that were going to the mall.”

The solution? Change.

“If you don’t change, you die of natural selection in the business sense,” LaVerne said. “Any time you make a major decision in your life or in business there’s risk involved.”

But the risk was worth it, as loyal customers have already followed the specialty shop’s destination.

“It’s a museum of the way things used to be,” LaVerne called it.

Which makes it a perfect match for the historical Third Street.

The only thing that hasn’t changed is the dedication to its customers.

“You depend on customers finding you,” LaVerne said. “I guess the basic theme is you’ve got to follow where your customers take you.”

LaVerne works alongside longtime associate, Aaron Schroeder, the first person to work for The Vortex when it moved to McMinnville in 2003.

(Fun fact: Schroeder’s mother, Deanne Schroeder, works for the Linfield Post Office.)

“Aaron’s why I’m not dead,” LaVerne laughed. “Without him being here, I’d be lying on the store floor twitching.”

LaVerne and Schroeder are still settling into The Vortex’ new home and have a lot planned for the store, including expanding its clothing section.

“There’s more to go,” LaVerne said.

Chrissy Shane/Features editor

Chrissy Shane can be reached at linfieldreviewfeatured@gmail.com

Open mic night reveals students’ talents

Junior Max Milander performs an original piece titled “Frost Bitten Grass” at the open mic Cat Cab on Feb. 28 in the Fred Meyer Lounge. Sarah Mason/Staff writer

Junior Max Milander performs an original piece titled “Frost Bitten Grass” at the open mic Cat Cab on Feb. 28 in the Fred Meyer Lounge.
Sarah Mason/Staff writer

The lights dimmed in the Fred Meyer Lounge on Feb. 28 as a crowd gathered for the Cat Cab. This wasn’t about to be a normal Cat Cab, Thursday’s show was “open mic,” inviting students who wouldn’t normally step up for their own show to showcase their musical talents.

 
Twelve different Wildcats performed raps, strummed the guitar, sang, played the keyboard and even got a few laughs out of the audience. Needless to say, a medley of harmonious talents were showcased throughout the evening.

 
The first performers of the evening were sophomore Jessica Newton and the master of ceremony senior Jenny Morgan who sang “Just The Way You Are” by Bruno Mars.
Junior Max Milander, the vice president of Linfield’s concert choir, performed an original piece on the keyboard called “Frost Bitten Grass.” Milander sang while wearing his signature, shiny aviator shades in honor of Ray Charles.

 
Next up, the crowd was honored with an appearance by the legendary Real Cal Hal. The sophomore performed snippet a capella flow versions of his two unreleased songs, “The Realest” and “Bass Go Boom.” The raps talked about Northwestern culture flannels, cargo shorts, shopping at REI and the rain.
Sophomore Katricia Stewart, who had a Cat Cab during January Term, performed a solo next. Stewart strummed her guitar while belting out an Otis Redding song “Sitting On The Dock Of The Bay” and “Like A Star” by Corinne Bailey Rae.

 
Barefooted senior Lucas Cook was next in the Cat Cab lineup. Although he “felt nervous in his belly,” Cook delivered his “intuitive work” on the keyboard almost effortlessly. He played only the pentatonic scale, the black keys, which allowed him to make up the work on the spot.
The next number was unlike any performance the crowd had seen, or rather heard, all night.
Junior Gavin Broussard dedicated his act to his close friend, senior Andrew Gladhill, who was supporting him in the audience. Gladhill howled with laughter, as did the audience, as Broussard serenaded him on the guitar with Chester See’s “Bromance,” a catchy jingle about heterosexual love between two men.

 
Sophomore Ian Cox followed with a medley of three jazz songs from the Prohibition Era. The upbeat music was written by Scott Joplin, the “King of Ragtime,” but Cox arranged the three-song medley himself. Cox transitioned between “Easy Winners,” “Maple Leaf Rag” and “Pineapple Rag.”

 
Following Cox’s performance was senior Liza Dadoly. Dressed in sparkly tights, she sang and played her guitar to two different songs. The audience clapped along as she sang an original piece she wrote during the summer. Dadoly also performed her favorite Melissa Etheridge song “Angels Would Fall.”

 
Newton made another appearance to duet with freshman Bryce Fechner. The two harmonized while singing “Last Night,” an original piece written by Fechner.
Sophomore Cody Meadows, on the bongo, and Cox, on the keyboard, joined the pair to perform “Sunrise” by Norah Jones. Fechner strummed the ukulele while Newton sang.
Morgan summoned freshman Logan Mays up to the stage to sing “You Belong to Me” on the keyboard, he dedicated the song to his best friend.

 
Senior Evan O’Kelly and junior Shayli Coppock kicked off a proceeding of upperclassmen performances. The duo played the guitar and sang to “If I Didn’t Know Better” by the Civil Wars.
Senior Anna Sours and O’Kelly sang “Will You Return?” by The Avett Brothers, reminisced with good friend senior Bridget Grant and dedicated a second song “Hello,” by Schuyler Fisk to her.

 
O’Kelly accompanied senior Mickey Inns, former Linfield star quarterback, who wooed the audience by singing “A Team” by Ed Sheeran and “Save Him” by Justin Nozuka.
The night drew to a close as the final musicians O’Kelly and Kayla Hamm sang “Stay” by Rihanna and “Locked Out Of Heaven” by Bruno Mars.
O’Kelly was a huge hit during the night.
“The original plan was actually just to do a few songs with Mickey,” O’Kelly said. “As the date got closer, I kept thinking of people who I like to jam with and it just turned into a group of seniors.”
O’Kelly will have his own Cat Cab, which will feature other students and will be his final performance as a student at Linfield on April 18.

 

Sarah Mason/Staff Writer

Sarah Mason can be reached at linfieldreviewculture@gmail.com.

Justin Bieber seeks too much attention, again

During the past years, Tiwtter, Instagram and YouTube have exploded in the cyber world. People constantly post tweets about what they are eating, who they are hanging out with or photos of their cute puppy.
All of which, people seem to think that their peers actually care about.
Not only can you connect with your friends on these networking sites, you can also connect with celebrities.
Almost everyone I know follows the big ones: Barack Obama, Rihanna, Jenna Marbles and our good ole‘ pop start from Canada…Justin Bieber.
Even though I participate on such social networks, I try to stay clear of such people because, well, they drive me crazy.
Celebrities sometimes tend to turn into that one annoying friend from Facebook who either posts passive aggressive dramatic posts all the time or the one who feels the need to post everything about every minute of their day.
We all know who those people are and deep down inside we kind of hate them. Justin Bieber is one of these people.
Let’s start with his tweets. In case you did not know from his multiple posts, the Biebs turned 19 on March 3.
Let me just quote the man himself, “my birthday is on friday :) ” and “My birthday is tomorrow.” Wow, look at him all grown up! So mature!
It’s too bad his tweets lack any amount of correct grammar or punctuation.
Also, what the hell do you expect me to do with a tweet like that?
Do you want me to send you a Lamborghini or something?
A Rolex?
Not going to happen…ever.
Next up is Instagram. We are a self-centered society so it surprises no one that Justin Bieber feels the need to constantly post pictures of himself making the exact same face.
We see his face plastered all across tabloids telling us whether he is dating Selena Gomez or Kim Kardashian. We don’t need to see your face anymore.
And a little tip, duck lips don’t look good on girls, and they don’t look good on you guys either.
Oh and also, stop trying to dress “fresh to death.” You look silly and you should consider pulling up your pants.
Justin Bieber’s annoying, constant need for attention has really brought me to my last nerve.
Just because you are a celebrity does not mean that you need to shove your life down our throats. People magazine already does that, thank you very much.
Just calm down a bit. Be the user you want to follow.

Kate Straube
Photo editor
Kate Straube can be reached at linfieldreviewphotos@gmail.com.

Del Rey leaves listeners lost in paradise

The self-proclaimed “gangsta Nancy Sinatra” releases the follow- up to her debut album, her much-anticipated EP “Paradise,” just in time for the holiday season.

With the EP’s nine tracks, “Paradise” is what you would expect from the 26-year-old singer, who shot to fame via YouTube videos.

Though I never heard Del Rey’s debut album in full, her singles, such as “Video Games” and “Blue Jeans” offer an eerie sense of what type of musician Del Rey is and strives to be. It takes a lot of guts to call yourself the “Nancy Sinatra” of our generation.

Born and raised in New York, Del Rey suffered through a tough childhood and found solace in music.

Citing Elvis Presley, Frank Sinatra and Janis Joplin as some of her inspirations, Del Rey wanted to create music that was reminiscent of ’50s and ’60s Americana.

“Paradise” includes direct references to pop culture icons, such as Elvis Presley and Marilyn Monroe in “Body Electric” and Bruce Springsteen in “American.”

The top three tracks to check out on “Paradise” are “Ride,” “Gods & Monsters” and its closing song, “Burning Desire.”

“Ride” references Del Rey’s dark days as an adolescent, regarding her alcohol abuse, parental problems and depression.

“I don’t really wanna know what’s good for me,” Del Rey sings in “Gods & Monsters,” which may also parallel the criticism she has received since she’s been under the spotlight.

What’s intriguing about Del Rey is her ability to be a breath of fresh air for the music industry. Her voice is unique and distinguished, which allows listeners to emotionally connect to her lyrics, as well as the cinematic sound she has embodied.

With lyrical content regarding Americana, love and lust, loneliness, and suffering, Del Rey’s “Paradise” creates an atmosphere for listeners to get swept away due to her deep, sultry soulful voice. In other words, listeners will find themselves ‘lost in paradise’ and enchanted by Del Rey’s refreshing sound that the indie/pop industry is now lacking.

While “Paradise” contains some explicit content, it’s worth a listen. Del Rey takes some risks on her follow-up to “Born to Die,” and though it’s not an extreme departure from the latter, her musical experimentations are certainly appreciated.

Tune into KSLC 90.3 FM to hear Lana Del Rey: “Paradise.” You can also listen online at www.linfield.edu/kslcfm or stream the station on iTunes.

Vanessa So

Assistant Music Director

Linfield Chamber Orchestra holds first performance

One usually does not hear laughter during an orchestra concert—but Anton Belov’s performance with the Linfield Chamber Orchestra on Dec. 2 provoked more than applause from the audience. Belov sang baritone, while a collection of student and non-student musicians played classical arrangements.

Belov is a professor in the Linfield music department and typically teaches voice and music history classes.

He appeared in a few LCO concerts last year, and performs solo recitals for organizations, such as the Oregon Symphony and Tacoma Orchestra.

During the concert, Belov displayed his sense of humor by interacting with the audience and giving background information about the music they performed.

“I think he is just an incredible professor. He studied at Julliard and travels and performs all around the world, but he can still be relatable. It creates a connection with the audience,” sophomore Jessica Newton said.

Music students are not the only members of the LCO, as local musicians serve as extra numbers to create a more complete orchestra.

“It’s really cool. You learn a lot because they’re all professionals,” said junior Lauren Perch, who plays the violin in her second year involved with the LCO.

Perch says that the visiting musicians help students with their music and make the experience in the orchestra more enjoyable.

“They’re all so funny,” Perch said.

Belov shared Perch’s opinion about the musicians outside of Linfield.

“It’s great to raise the level of our performances,” Belov said.

The LCO performers dedicate a lot of time to preparing and met every night to practice from 7:30-10 p.m. the entire week before the concert. “

It takes work but it’s a lot of fun,” Perch said.

It seems the time spent preparing was not wasted, as many audience members impart positive reviews about the concert.

“I thought it was incredible. I thought it was really professional. It was technically correct, but it was also moving and evoked feelings from the audience. They went really beyond the technical carrying out of the piece, to the point of really communicating the moods of the composer,” Newton said.

Carrie Skuzeski

Senior reporter

Concert band gives farewell performance

The Linfield College Band left the audience humming to “Over the Rainbow” after its annual Spring Concert held April 24 in Ice Auditorium.

The concert, “Of Heart and Home,” was directed by Joan Paddock, professor of music and director of instrumental activities. It was conducted by Paddock and students from the Basic Conducting class.

The “fearless” and “epic horn session,” as described by the conductor, opened the concert with Mark Camphouse’s “Heartland Sketches.” It was followed by William T. Purdy’s “On Wisconsin March and Two Step.”

Both pieces are popular choices for fight songs. The variations of the latter have become the fight songs of 2,500 schools, including Linfield College. Toward the end of the piece, senior Wildcat Pep Band Leader Amanda Summers took over the conducting, which gave both the band and the audience an emotional lift.

The band then performed Percy A. Grainger’s “Irish Tune from County Derry,” which started without the planned a cappella introduction because of the absence of soloist senior Chelsea Janzen. The band also played Dmitri Shostakovich’s “Lyric Waltz,” which reminded the conductor of when her father taught her the waltz as a child.

Junior Reveca Primachenko, accompanied by Linfield Wildcat Men’s Glee Club and special guest vocal artist Anton Belov, conducted S. Tvorum’s “Zaparozhski ‘Cossack’ March,” a piece about Russian warriors.

Paddock chose pieces to “wake everybody up and then calm them down to show the beauty of music.” Stephen Collins Foster’s “Gentle Annie,” featured senior soloist Kayla Wilkens, and the piece was conducted by senior Kaia Machalek.

Like during the Fall Concert, the band performed “Africa: Ceremony, Song and Ritual,” an exotic piece by Robert W. Smith, to showcase its large percussion session of eight players. A log drum was specially borrowed from the Salem Concert Band for the piece.

Before junior Jenny Morgan conducted the “Old Scottish Melody (Auld Lang Syne)” by Charles Wiley, recognition was given to retiring faculty members and graduating seniors Wilkens, Machalek, Janzen, Sarah Wilder, Amanda Summers, Alison Bouchard, and Alex Fitch.

To conclude the night, Paddock chose “The Wizard of Oz” by Harold Arlen and E.Y. Harburg, quoting Dorothy Gale’s “There’s no place like home.”

With such a number of pieces and only one formal rehearsal each week, Paddock commented that they never had enough time for rehearsal.

“What I really want is for Linfield to designate a block of time for students to be involved with art every day.”

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Cassie Wong/
For the Review
Cassie Wong can be reached at linfieldreviewculture@gmail.com.

Linfield alumna presents topics in musical therapy

Heidi Edmonds invites students to play tone bars in her music therapy lecture April 4 in Delkin Recital Hall. Photo courtesy of Cassie Wong

For some people, music is more than a form of entertainment—it also plays an important role in the medical field.

Linfield alumna Heidi Edmonds presented “What is Music Therapy?” in Delkin Hall on April 4, explaining how and why different groups of patients can benefit from music.

Music can improve cognition and respiratory strength, along with communication and expression. With dancing, it can also benefit one’s physical ability. These qualities can help maintain the brain’s performance when treating patients at all stages of dementia.

Music therapy can improve one’s reality orientation and give the person a sense of control. These qualities can be used to treat patients with mental health problems, such as mental disorder, depression, eating disorders or schizophrenia.

The therapy can be engaging and interactive. When demonstrating how the social interaction and communication goals can be achieved when treating patients with autism, Edmonds invited six students to play tone bars with her. They took turns playing the single-pitch musical instrument and had to signal the next student to make a sound by looking into that student’s eyes. In real-life treatments, patients are encouraged to interact with people through non-verbal communication.

In the medical setting, music therapy is mostly one-on-one. Sometimes family members of the patient may also participate.

Musical therapists may follow a patient through various wards of the hospital to address different needs.

The therapy can also act as a co-treatment to distract or relax patients undergoing unpleasant medical procedures like chemotherapy. This is supported by the gate control theory of pain, which suggests that pain and music travel in the same pathway in the body and with music, there will be less room for the intake of pain.

There are also other theories supporting music therapy. One is the theory of music and speech pathways, which suggests that music and speech travel in different pathways, thus, patients with damaged speech ability can learn to speak through singing. Another is entrainment, which synchronizes music with heart rate. The music is then slowed down to lower the heart rate.

Edmonds, who graduated with a bachelor’s degree in music in 2010, is a senior studying music therapy at Marylhurst University.

She enjoys working with people and said she thinks that music therapy is a way to “combine music knowledge with the interest in helping people.”

For Linfield students who are interested in the field, Edmonds advised them to consult the website of American Music Therapy Association for information of the programs available.

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Cassie Wong/
For the Review
Cassie Wong can be reached at linfieldreviewculture@gmail.com.

Band creates storm of compositions

Seniors Chelsea Janzen and Alex Fitch perform during “Songs of Sea, Air, Storms, Love & Friendship for the band’s fall concert Nov. 8 in Ice Auditorium. Joel Ray/Photo editor

The Linfield College Concert Band created a storm to open its fall concert.

The Department of Music hosted the fall concert, “Songs of Sea, Air, Storms, Love & Friendship” on Nov. 8 in Ice Auditorium.

The opening song was Jim Casella’s “Stormbreak,” which required a large variety of exotic and untraditional percussion instruments, such as maraca shakers, ocean drums, rain sticks and wood blocks.

The piece was an energetic imitation of a storm presented in an outburst of powerful sounds.

Almost all of the performers played more than one instrument for “Stormbreak,” switching between instruments.

Their effort was reciprocated by the passionate applause of the audience.

After resetting the stage, the band performed Ron Goodwin’s “Tall Ships,” followed by Samuel Hazo’s “In Heaven’s Air.”

The latter was dedicated to the composer’s friend whose mother had passed away. Hazo presented his piece with Shakespeare’s Sonnet 21, which Paddock read as the introduction of the piece.

The last song before the intermission was “Suite on Greek Love Songs,” by Dutch composer Henk van Lijnschooten.

Paddock shared an interesting incident during the band’s rehearsal of this song.

According to Paddock, a trombone player in the band had the European publication of the sheet music, which resulted in unfavorable effects during the final rehearsal. Luckily, they discovered the problem and were able to perform the “non-dissonant version” of the piece.

After a short break, senior oboe soloist Amanda Summers performed Émile Paladilhe’s “Concertante” with the band.

Summers is in the Linfield Chamber Orchestra and Concert Band, and is the director of the Linfield Pep Band and Drumline.

More unusual instruments, such as the dumbek, a Middle Eastern and North African drum, were introduced and the band performed the exotic “Arabic Dances” by Henry Fillmore.

The lively piece required the musicians to shout from time to time and hit the drums so hard that one of the drummers’ hands were trembling when it ended.

The last piece was Henry Fillmore’s “Golden Friendships,” a circus-style farewell to the composer’s friends before he moved away.

Freshman Caitlin Evans said she liked the diversity and tone of the performance and that it spanned “every bit of the world.”

The Linfield Concert Band has rehearsed once a week since the start of the semester.

Freshman tenor saxophone player Daniel Bradley described the rehearsals as “lighthearted but intense.”

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Cassie Wong/
Staff writer
Cassie Wong can be reached at linfieldreviewculture@gmail.com.

Wildstock to feature free food, music, games

At the end of each year, the Linfield Activities Board hosts Wildstock, a free concert and festival for students. This year’s festival is on May 20 and features a highly anticipated musical lineup, as well as food and activities.

Parachute, a nationally recognized pop rock band, will be the featured band at this year’s Wildstock festival.

Parachute will be accompanied by student bands Prowler and Na Hemo. Prowler, who will open the show at 6 p.m., was the winner of this year’s LAB sponsored Battle of the Bands. Na Hemo will begin at 7 p.m. Parachute will play from 8 p.m. until the festival ends.

Although all three bands have different styles, Nicole Bond, vice president of programming ASLC, said she thinks it will be a great show.

“It’s nice to have diversity,” Bond said.

The event will also include student activity booths sponsored by ASLC  chartered clubs. There will be several booths, including the Hawaiian Club’s shaved ice booth and the Greenfield Henna tattoo booth. There will also be carnival games, trivia and more.

Booths will open at 5 p.m.

Ribslayer Barbeque, El Primo, Odmo’s Pizza, Thai Country and Coldstone Creamery will cater Wildstock. Because food has been known to run out at previous Wildstock events, LAB has ordered even more than usual, with 75 pounds of pulled pork, 30 extra large pizzas, 200 enchiladas, 50 orders of pad thai and enough ice cream for 600 people. Each student will be able to have a plate from two different restaurants, as well as a dish of ice cream from Coldstone Creamery.

Students will begin the evening at the student check-in table where they will receive two food tickets and one ice cream ticket. From there, the event will be free-flowing and students can choose to eat, listen to the bands and visit booths at their leisure.

The event will be a good time for everyone, Bond said.

“If you are interested in music, in food or if you just want to hang with friends, there is something for everyone at Wildstock,” she said.

T-shirts for Wildstock will be on sale every night in Dillin and in the CIC leading up to the event. They will also be available at Wildstock. Shirts cost $3, and are available in hot pink, blue and charcoal gray.

Wildstock will begin at 5 p.m. May 20 on the IM field .

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Marissa Cole/News editor
Marissa Cole can be reached at linfieldreviewnews@gmail.com